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The Jazz of Physics: The Secret Link Between Music and the Structure of the Universe

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Review

"At first glance, physics and music may not seem the most obvious of bedfellows, but these seemingly disparate fields have much in common. Part-time saxophonist and full-time theoretical cosmologist Stephon Alexander is especially well placed to comment on both and link the two together. Indeed, his book promises to reveal 'the secret link between music and the structure of the universe.' Interwoven with solid physics and personal anecdotes, the book does an admirable job of bringing together modern jazz and modern physics."-Physics World's Book of the Year 2016, Shortlist"I have long been a serious jazz fan and like to think of myself as a budding armchair cosmologist. So I'll forever be grateful to musician/physicist Stephon Alexander, who describes the profound ways in which notes and numbers are connected. Alexander chronicles the great thinkers who have explored these links in the past and shares his own journey in the two fields. He'll help you see how our awe-inspiring universe is on a never-ending, cosmological riff."-Felix Contreras, NPR, Best Books of 2016"Marvelous."-New Scientist"Music lovers are at high risk of being inspired by this exploration of the connections between music and physics.... Alexander elegantly charts the progress of science from the ancients through Copernicus and Kepler to Einstein (a piano-player) and beyond, making it clear that what we call genius has a lot to do with convention-challenging courage, a trait shared by each age's great musicians as well."-Keith Blanchard, Wall Street Journal"In the most engaging chapters of this book - part memoir, part history of science, part physics popularization and part jazz lesson - Dr. Alexander ventures far out onto the cutting edge of modern cosmology, presenting a compelling case for vibration and resonance being at the heart of the physical structure we find around us, from the smallest particle of matter to the largest clusters of galaxies.... His report on the state of research into the structure and history of the universe - his own academic field - makes for compelling reading, as does his life story."-Dan Tepfer, New York Times"Music and physics might seem like polar opposites, one having great emotional potency and the other being a cerebral subject of equations, theories and deductions. Both, however, benefit from improvisers - people who stand on the shoulders of giants, taking earlier triumphs and building on them to create something new. For me, analogies like these, which draw parallels between physicists and jazz musicians, are the most fascinating revelations in Stephon Alexander's book The Jazz of Physics.... The book's attempt to bring together modern jazz and modern physics strikes me as admirable.... It is an intriguing comparison, and it certainly seems fresher than drawing analogies between classical music and classical physics.... Time to put on some Coltrane and riff some new research ideas?"-Trevor Cox, Physics World"[Alexander] gives an engaging account of his uncertainties and worries as he made his way in the highly competitive world of theoretical physics, seeking to acquire the 'chops' needed to deal with the formidable mathematics of his day job along with those needed to solo on the sax after dark.... Mr. Alexander's rhapsodic excitement is infectious."-Peter Pesic, Wall Street Journal"[Alexander's] book, The Jazz of Physics, explores [the] resonance [between science and music] to a depth that far surpasses other works on the same concept." -New Criterion "Groundbreaking...[Alexander] He illustrates his points with colorful examples, ranging from the Big Bang to the eye of a galactic hurricane."-Down Beat "Using his own life as the baseline, Alexander, a professor of physics at Brown University, sweetly riffs on deep connections between music and cosmology.... Alexander's account of his own rise from humble beginnings to produce contributions to both cosmology and jazz is as interesting as the marvelous connections he posits between jazz and physics."-Publishers Weekly"In this loosely autobiographical meditation, Alexander explores resonances between music and physics in Pythagoras' 'music of the spheres,' Albert Einstein's love of music, Coltrane's love of Einstein, and his own ideas as a theoretical physicist and jazz saxophonist. It's a vast, cosmic theme that includes quantum mechanics, superstring theory, the Big Bang, the evolution of galaxies, and the process of scientific theorizing itself.... Alexander's enthusiasm for his subject is infectious."-Kirkus Reviews"This book could just as well be called The Joy of Physics because what leaps out from it is Stephon Alexander's delight and curiosity about the cosmos, and the deep pleasure he finds in exploring it. True to the jazz he loves so much, Stephon is an intellectual improviser riffing with ideas and equations. It's a pleasure to witness." -Brian Eno, artist, composer and producer"The Jazz of Physics is a cornucopia of music, string theory, and cosmology. Stephon takes his reader on a journey through hip hop, jazz, to new ideas in our understanding of the first moment of the big bang. It is a book filled with passion, joy and insight."-David Spergel, Charles Young Professor of Astronomy & Department Chair, Department of Astrophysical Sciences, Princeton University"A riveting firsthand account of the power of intuitive and unconscious in the process of scientific discovery. Being both top-notch physicist and jazz musician, Stephon Alexander has a unique voice. Listening to him, you will hear the music of the Universe."-Edward Frenkel, author of Love and Math"Stephon Alexander takes us along on his twinned quest to discover the fundamental principles of physics and of jazz performance and composition. He is a great story teller and he paints vivid portraits of the masters of music and science who guide him on his search, which leads to a revelation of a common pattern and symmetry in the universes created by John Coltrane and Albert Einstein. If you spend one evening of your life contemplating the relationship between art and science, spend it with this book."-Professor Lee Smolin, founding member of the Perimeter Institute for Theoretical Physics and author of The Trouble with Physics"Is the universe a musical instrument that plays itself? It is according to Stephon Alexander, a string theorist who shares his journey from a crime ridden junior high school to the upper echelons of physics and jazz. Moving fluidly from T dualities to John Cage, he tells how his two worlds blended together like a stereoscopic vision-a sonic cosmos where Einstein and Coltrane naturally meet, and where intuition and improvisation are as important as technique. Whether he's hanging with Brian Eno or Brian Greene, Alexander never loses sight of the math or the melodies, never condescends to his reader but rather uses his own childlike awe and personal charm to take us into the details of chords and equations. It's impossible to resist following him as he 'solos with the equations of D-branes' on paper napkins in jazz clubs, searching for the eloquent underlying harmonies that brought the universe (and us) into being."-KC Cole, author of Something Incredibly Wonderful Happens and The Universe and the Teacup: The Mathematics of Truth and Beauty"Music, physics and mathematics have lived in tune since Pythagoras and Kepler, but Prof. Alexander's book creates a new and powerful resonance, coupling the improvisational world of Jazz to the volatile personality of quantum mechanics, and making the frontiers of cosmology and quantum gravity reverberate like in no other book."-João Magueijo, Professor of Physics at Imperial College London and author of Faster Than The Speed of Light"In this very creative work Stephon Alexander leads us through his remarkable journey from jazz musician to theoretical physics, from the music of the spheres to string theory."-Professor Leon N. Cooper, Laureate of the Nobel Prize in Physics"Stephon Alexander has written an entertaining and important book about how science is becoming more like improvised music. Young musicians and scientists will find a deeper way to connect with their work in its pages. There is also a message about scientific progress: It isn't just about a sterile quest to make a better equation, but also the struggle to build deeper connections between people and between us and the universe at large."-Jaron Lanier, author of Who Owns the Future?

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About the Author

Stephon Alexander is a professor of physics at Brown University and the winner of the 2013 American Physical Society Edward A. Bouchet Award. He is also a jazz musician and released his first electronic jazz album with Erin Rioux. Alexander lives in Providence, Rhode Island.

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Product details

Hardcover: 272 pages

Publisher: Basic Books; 1 edition (April 26, 2016)

Language: English

ISBN-10: 0465034993

ISBN-13: 978-0465034994

Product Dimensions:

6.5 x 1 x 9.5 inches

Shipping Weight: 15.2 ounces (View shipping rates and policies)

Average Customer Review:

4.1 out of 5 stars

59 customer reviews

Amazon Best Sellers Rank:

#46,260 in Books (See Top 100 in Books)

I cannot say enough good things about this book. It was quite amazing to follow Dr. Alexander's journey to the world of physics through the lens of jazz. I have read review with people complaining about the book being autobiographical or even jumping subjects. That actually is what makes this book so interesting to read. I learned some new aspects of physics, it helped strengthen other elements of physics I had heard about in the past, and it was a pleasure to read about his journey into physics, starting with the first trip to the museum and seeing a display of Albert Einstein.I would highly recommend this book to those with a novice based love of physics, those who love both music and science, and as an amazing way to aspire children, teens, and young adults to reach for their goals in their own unique way. I love that his journey was his and not limited to a one way, boring, pre-charted road.

Although I'm a guitarist with over 40 years professional experience in jazz and other American musical idioms, I don't feel qualified to assess The Jazz of Physics by Stephon Alexander. Hence, the 3 star review, by which I mean my neutrality as to the book's qualities.The question needs to be asked for whom this book was written. A serious musician could not comprehend it fully without also having a thorough understanding of both physics and calculus. I have some college education, but unfortunately not those subjects.Chapter 8: The Ubiquity of Vibration contains several complex graphs and equations, for which it is assumed the reader understands all the math symbols used. I'm not sure what books I would need to study to understand it, but nearly all of Chapter 8 is incomprehensible to me. The book's notes don't explain the equations or the Fourier transform any more than the text does.I love the concept that the universe behaves like a musical instrument, but I have no understanding why the author believes this may be the case.If you are more musician than scientist or mathematician, you might want to read How Music Works by John Powell for a read geared more towards the general reader.

A unique and personal take on 'The Meaning Of It All' physics. Alexander's use of memoir to... hold on... I met Stephon Alexander in 2005 while doing research for a screenplay; he was at the Stanford Linear Accelerator (SLAC). Since then I wrote a memoir in which Stephon appears. Here's a bit of it:...I need to explain why I think Stephon Alexander is a special humanbeing, and if you hang in you’ll see how this connects to other things.When we sat down for our interview at Stanford, the first thing I toldStephon was that I’m a dilettante. Stephon stopped me. “That word,” hesaid. “What does it mean?”“Dilettante?”“Yes. What does it mean?”I told him it means that I know just enough about theoretical physics tomake a fool of myself in talking to an actual theoretical physicist.“How do you spell it?”I didn’t really know. I told him there are some “l’s and “t”s but I didn’tknow how many of each, plus there is an “i” somewhere and at least one“e.” Stephon was nodding, taking this in, filing it away somewhere.Then I asked him why he became a theoretical physicist and he saidbecause he was angry at God.Hold on. Let me ask you something. Let’s say that for some reason you’rebeing interviewed because you have expertise at something. Someone, aHollywood screenwriter, say, shows up and you do a formal interview.And let’s say the interviewer starts out by saying something to the effectof how smart you are, but in doing so uses a word you’re unfamiliar with.Here’s the question: Would you stop him and ask what that word means?Neither would I.Why is that? Because our main concern would be how we’re perceived.This would be the case in any situation with a stranger, but especially inan on-the-record interview, and even more especially if the premise of theinterview is that we’re smart.Stephon did not care how he was perceived. Or, rather, he may havecared, but his need to know something, a truth about the world, minorthough it was, was more important.If people – you, say, plus me – worried less about how we’re perceived,we’d worry less about self-image (still another self word), too. Whichmeans we’d be less likely to believe untruths simply because they makeus feel more comfortable about ourselves. Please trust me on something:The belief in untruths is the primary reason why the world is so [screwed] up.In fact, all the reasons why the world is so [screwed] up depend on peoplebelieving untruths. I know that I’m right on this one thing.Stephon Alexander is not one of the reasons why the world is so [screwed] up,which is enough to make him special. In fact, that’s my definition of special,as in special human being. Someone who is not part of the problem of theworld being so fucked-up.And listen. Stephon Alexander knows some secrets of the universe. Trustme on another thing: That Stephon asked me what “dilettante” means andhow you spell it is as much a reason for his knowledge of some secrets of theuniverse as his astounding innate brain power, his intelligence.This angry-at-God thing. Stephon grew up in a poor section of the Bronx,New York. As a child he was confused by all the misery around him. Theconfusion led to anger at God, since he had been told that God createdEverything and Everything must include the misery all around him. Sohe wanted to understand how God could have done this. Stephon, havingbeen blessed with astounding innate intelligence, even as a young personsensed that he would not come to understand about God through studyingreligion or philosophy or anthropology. He was tempted by art, he told me,particularly the art of jazz music. But he decided to dedicate his life to physics,the area of it that looks into first causes. What happened in the beginning.If anyone ever comes close to a real understanding about God it willbe a physicist, someone like Stephon Alexander. It will not be a Popeor an ayatollah or a rabbi or a Buddhist in a monastery or some [screw]ballmother[etc] blabbing away on Sunday morning TV. The reason for thisis simple: Without knowing how things work—what causes what—there isno possibility of knowing anything else. It’s all just words strung togetherand circular reasoning and specious causation and made up stuff and othercrocks of [poop]. All of it.Another thing. That Stephon was tempted to dedicate his life to art, tojazz music, is significant also. In fact, Stephon does dedicate himself to jazzmusic, to playing it on a saxophone, when he’s not looking into first causes.To sum up: In seeking to understand God, Stephon Alexander looks intofirst causes and plays jazz music on a saxophone.I love that.Although he grew up in the United States, Stephon was born in theCaribbean, on an island. I believe that this heritage is part of what makesStephon special. The spirituality of his people. He told me a childhood storyabout his grandmother that gave me the shivers.The island on which Stephon was born is this island, by the way. The littleisland from which I write.#Anyway, it doesn't surprise me that Stephon has written a fascinating book on physics and Jazz music. Not at all. (That his unquestioning faith in Einstein's Relativity theories may be misplaced is a separate matter. Those interested should give Electric Universe theory a look, at thunderbolts.info.)

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The Jazz of Physics: The Secret Link Between Music and the Structure of the Universe PDF

The Jazz of Physics: The Secret Link Between Music and the Structure of the Universe PDF

The Jazz of Physics: The Secret Link Between Music and the Structure of the Universe PDF

The Jazz of Physics: The Secret Link Between Music and the Structure of the Universe PDF

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Free Ebook My Florence: A 70-Year Love Story, by Art Shay

Free Ebook My Florence: A 70-Year Love Story, by Art Shay

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My Florence: A 70-Year Love Story, by Art Shay

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Review

"Florence Shay was a force to be reckoned with, a marvelous, witty, beautiful and well-read lady whose husband Art loved her very much and took some pictures of her that pierce my heart: there she is, glorious Florence. I miss her (and her book shop, too). Art Shay’s photographs bring us into their family, so immediately and warmly that it is a little shocking and quite wonderful."—Audrey Niffenegger, author of The Time Traveler’s Wife"The photographs in Shay’s latest collection portray his late wife’s brimming effervescence in . . . [a] spirit of reverence and love "—Amy Danzer, New City"In 'My Florence' we encounter her pregnant with her first child, and later beaming proudly with their baby daughter Jane in her arms. We see her bringing home their youngest, Steve, greeted by three of their four children at home. . . . [I]t seems that for Art Shay the past really is prologue and continues to be present in the life of this prolific, insightful photographer."—Dorothy Andries, Chicago Tribune"The golden age of photojournalism may be long past, but the work of its giants . . . continues to amaze and inspire. Many Chicagoans may not realize that one of those giants, Art Shay, still walks among us. . . . These are . . . poignant images [of Florence] . . . vivacious and flirty in Las Vegas, hard at work at her book shop, in the latter stages of terminal illness."—Kevin Nance, Crain's Chicago Business  

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About the Author

After flying fifty-three combat missions in World War II, ART SHAY joined Life magazine as a staff reporter. He went on to become one of America’s leading photojournalists. His pictures regularly appeared in Time, Fortune, the Saturday Evening Post, Forbes, Business Week, Parade and the New York Times Magazine. Shay immortalized some of America’s most compelling 20th century figures, including John F. Kennedy Jr. and Muhammad Ali, along with street scenes of Chicago’s dispossessed. Several of these photographs have been noted as among the most enduring American pictures ever taken. Shay lives in Chicago.

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Product details

Paperback: 96 pages

Publisher: Seven Stories Press (January 23, 2015)

Language: English

ISBN-10: 1609806247

ISBN-13: 978-1609806248

Product Dimensions:

7 x 0.2 x 7 inches

Shipping Weight: 7.7 ounces (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

5 customer reviews

Amazon Best Sellers Rank:

#1,648,849 in Books (See Top 100 in Books)

I actually had the privilege of meeting Florence Shay, and I know her husband Art for 38 years now. So I may be a biased reviewer, however I loved the book. It was so full of love and respect for this amazing woman. Art Shay has photographed world events, numerous racquetball tournaments (which is how we met), traveled the world, published books, had big shows, all kinds of fame and glory. But this little book is so sweet and intimate. I was really touched and will treasure it.

I loved it! What a wonderful love story! I had been waiting for it to come out! I am very happy with the little book!

Beautiful story wonderful photographyhistorical and a visual poetry

i used to work for this photographer's son, and florence was a real beauty! talented family :) gorgeous tribute :)

My Florence is a very personal story of Florence Shay, a "companionable, sexy, Jewish mother, elegant and always up to date, who blogged to 30,000 followers until her last days, the literary adviser to basketball players, governors, and rock stars, the loving, devoted wife; and resolute proponent of the written word." What makes the book unique is that Shay is an ordinary wife living an ordinary life around California and Chicago, 1940s to 2012. Her husband Art, whose resume includes a stint as Life magazine's youngest bureau chief and a career as a highly respected photojournalist, tells her story in images. Photographs of a life well-lived up until her death in 2012.At a slim 96 pages, I often wished for even more photographs than were presented. It is clear throughout what made photographer Art Shay an icon at Life Magazine - his images are the every day, the mundane, the everyday life. For photographers and photojournalists know, it is not about what's in the image, it's about the apogee of the moment at which the photographer clicks the shutter. Here, Shay beautifully captured the moments in wife Florence's life - her family, her pursuits, the memories they were making as they raised 5 children and then went on to grandchildren. The cover image is the first he ever photographed of the person who would be his life's companion.Cultural historians will no doubt appreciate the glimpses of mid century life in Chicago. From a brick row type home in Des Plaines, whose interior features ball clocks and slim legged tables. But also tidbits of life after World War II through to the turbulent 1970s. The images move from black and white to kodachrome color as Florence ages. Celebrity appearances in images by Eleanor Roosevelt, Studs Terkel, and Billy Corgan of the Smashing Pumpkins seem almost to disrupt the home glimpses - I kept wishing for even more glimpses of the ordinary life rather than the celebrity one.The Shays' may have lived a better life than many due to his work with Life (vacations in Hawaii in the 1970s, the Hacienda in Las Vegas in the 1960s) to have this be a book of the populist style. As well, there are interesting tidbits of the eras - images of briefcase and purse hidden cameras when Florence caught pictures of mobsters, for example. Or staged images of his family for Life articles. They create a bigger pictures of the Shays' life but I found them less interesting than the candid home images.I rate this four out of five stars because I honestly wanted more. There is some commentary but it is sparse and not every picture has commentary. Since a photojournalist is all about the moment, I loved the book the most when it was describing those moments and what prompted Shay to click the shutter when he did. There just wasn't enough of it.The images are somewhat chronological but do jump around quite a bit. Decades may pass in the blink of an eye, for example, and no matter how many images presented, it did feel like there are so many more that will never be seen that could have gone into this book.In all, a very personal story in which the life of a remarkable woman shines through brightly.Reviewed from an ARC.

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My Florence: A 70-Year Love Story, by Art Shay PDF

My Florence: A 70-Year Love Story, by Art Shay PDF

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Download Ebook Kusama

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About the Author

Louise Neri is an editor, curator, writer, and consultant based in New York. As an international director at Gagosian Gallery, she works on research and development, exhibition and editorial programming, and communications. Yayoi Kusama is among the artists she represents and works with closely. Leslie Camhi, who first encountered Yayoi Kusama’s work nearly two decades ago, has written about art, books, fashion, and women’s lives for the New York Times, Vogue, and many other publications.  RoseLee Goldberg, Founding Director and Curator of Performa, is an art historian, critic, and curator whose book Performance Art: From Futurism to the Present, first published in 1979, pioneered the study of performance art. Born and raised in Tokyo, Takaya Goto completed his post-graduate design education in the United States. He is a co-founder of Goto Design, a multidisciplinary design studio based in New York. Laura Hoptman is Senior Curator at the Museum of Modern Art in New York, where she has organized the exhibitions “Drawing Now: Eight Propositions” (2002) and “Love Forever: Yayoi Kusama” (1998), among many others.  Chris Kraus is the author of four novels, including the forthcoming Summer of Hate (Semiotexte, 2012) and two books of art criticism.  Since 1975, Arthur Lubow has worked primarily as a writer of long-reported articles for national magazines. For the last decade, he has been a contributing writer at the New York Times Magazine, specializing in the arts. Kevin McGarry is a writer, editor, and curator. He writes the contemporary art column “Out There” for T: The New York Times Style Magazine, is the art editor for V Magazine, and reviews exhibitions for Art Agenda and Artforum.com. Akira Tatehata is a curator, critic, and poet. Olivier Zahm is a curator, writer, editor, and co-founder of Purple Prose.

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Product details

Hardcover: 304 pages

Publisher: Rizzoli (July 10, 2012)

Language: English

ISBN-10: 9780847839087

ISBN-13: 978-0847839087

ASIN: 0847839087

Product Dimensions:

9.8 x 1.1 x 12.8 inches

Shipping Weight: 4.6 pounds (View shipping rates and policies)

Average Customer Review:

4.9 out of 5 stars

13 customer reviews

Amazon Best Sellers Rank:

#533,298 in Books (See Top 100 in Books)

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Book is just as fabulously created as her artwork. Color is magnificent, text and commentary just right. A treasure to have!

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